Page:Gautier - Les musiques bizarres à l’Exposition de 1900, volume 1, 1900.pdf/22

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LA MUSIQUE CHINOISE

${ \language "italiano" \new PianoStaff << \omit Score.BarNumber \override Score.Rest.style = #'classical \new Staff = "right" << \key do \major \numericTimeSignature %\override Score.TimeSignature.stencil = #(time-double-signature "3" "4" "2" "4") \time 2/4 \tempo "Più moto" 4=96 \new Voice { \relative do'' { \voiceTwo sol'8^. fa^. << re4 {s32^\< s16.\! s8} >> | fa16^. sol^. la8^. re^. fa, | sol2 ^"ten." | la8^. do^. << do4 {s32^\< s16.\! s8} >> | sol16^. la^. do8^. re^. do,^. | \break << la'16 {s128^\< s64.\! s32} >> sol16^. fa8^. re'^. fa,^. | << {\slurDown \acciaccatura mi' \voiceTwo fa2^"ten."} \\ fa, >> | la16^. do^. re^. fa^. << do4 {s32^\< s16.\! s8} >> | << { \ottava #1 \set Staff.ottavation = #"8" re16^. fa^. sol^. fa^. } \\ la,4 >> \ottava #0 la8^. do^. | la2^^^"ten." | \break <fa fa'>8 <fa fa'>4. | sol'16^. la,^. sol'8^. <fa la,>^. <re la>^. | <do la>2^"ten." | << { \voiceOne la16^. sol^. la8^. do^. re^. | fa16^. sol^. re8^. << re4 {s32^\< s16.\! s8} >> } \\ { s8 la~ la4~ | la2 } >> \oneVoice \break do16^. re^. do8^. la4 | sol8^. fa16^. sol^. la4 | do8^. re16^. do^. sol^. fa^. sol8^. | la2^\fermata | \break <la, do,>4^\markup {"Même mouv"\super "t"} \tupletDown \tuplet 3/2 {la8( sol la)} | <sol do,>4. <la do,>8 | << { \voiceOne re8^\<( fa16\!) r fa4\fermata | } \\ { fa,2 } >> < la fa'>4 sol'8. la,16( | sol'4) fa8. sol16 | }% relative }% Voice >>% right \new Dynamics { \override Hairpin.to-barline = ##f s2 | s2 | s2 | s2 | s2 | s2 | s2 | s8.\< s16\! s4 | s2 | s2 | s8 s4. \f | s2 | s2 | s2 | s2 | s16 s \dim s4. \! | s2 | s2 | s2\p | s2\mf | s2 | s4 s4\f | s2 | } \new Staff = "left" << \clef treble \new Voice { \relative do'' { \voiceOne si4\rest sol16^. fa^. << re8^. {s64^\< s32.\! s16} >> | fa16^. sol_(^. la8^. re^. fa,^. | <sol do,>2^^) | fa8 sol << la4 {s32^\< s16.\! s8} >> | fa8[ sol la la] | <re la re,>8\f s4. | re,16_.\< mi_. fa_. la_. \! re8_. la_. | s2 | s4 re | fa2^\marcato | <re la re,>8 <re la re,>4. | re,8_.[ la'_. re_. fa_.] | s2 | la,2~ | la2~ | la2 | \clef bass \voiceOne s4 s8. la,16~ | la2~ | la^\marcato | <do, fa,>8 re8\rest re4\rest | <do fa,>4. <do fa,>8 | \stemDown <la' re,>2 | \stemUp <do, fa,>8 re8\rest re4\rest | <do fa,>8 re8\rest re4\rest | } % relative } % Voice \new Voice { \relative do' { \voiceTwo s4 s8 re~ | re2 | s2 | s2 | s2 | s2 | s2 do'8 la << mi'4 {s32^\< s16.\! s8} >> | fa4 re~ | re2 | s2 | s2 | <la mi'>2^\marcato la4 sol | fa mi8^. fa16^. mi^. | re4 do8^. re16^. do^. | \clef bass sib4 la8^. sib16 la | sol4 sol | fa,2\fermata | } % relative } % Voice >> % Staff >> % PianoStaff }$