Page:Widor - Initiation musicale.djvu/19

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LE SON

$\language "italiano" \relative do { \override Staff.TimeSignature #'stencil = ##f \cadenzaOn \clef bass \parenthesize fa,,1_1 fa'_2 do'_3 fa_4 \clef tenor la_5 do_6 mib_7 fa_8 sol_9 la_10 } \header { tagline = ##f} \paper { indent = 0 line-width = #120 }$

$\language "italiano" \relative do { \override Staff.TimeSignature #'stencil = ##f \cadenzaOn \clef bass \parenthesize mi,,1_1 mi'_2 si'_3 mi_4 \clef tenor sold_5 si_6 re!_7 mi_8 fad_9 sold_10 } \header { tagline = ##f} \paper { indent = 0 line-width = #120 }$

Or voici comment il lui est loisible de chromatiser ; comment, à partir du registre moyen, il peut disposer de plusieurs « positions » pour certains degrés :

$\language "italiano" \relative do { \override Staff.TimeSignature #'stencil = ##f \cadenzaOn \clef bass mi,1^\markup{\teeny VII} fa^\markup{\teeny VI} fad^\markup{\teeny V} sol^\markup{\teeny IV} sold^\markup{\teeny III} la^\markup{\teeny II} sib^\markup{\teeny I} si^\markup{\teeny VII} do^\markup{\teeny VI} dod^\markup{\teeny V} re^\markup{\teeny IV} mib^\markup{\teeny III} mi^\markup{\teeny II}^\markup{\teeny VII} fa^\markup{\teeny I}^\markup{\teeny VI} fad^\markup{\raise #1.6 \teeny V} sol^\markup{\raise #1.6 \teeny IV} sold^\markup{\raise #1.6 \teeny III}^\markup{\raise #1.6 \teeny VII} la^\markup{\raise #1.6 \teeny II}^\markup{\teeny VI} } \header { tagline = ##f} \paper { indent = 0 line-width = #120 }$

$\language "italiano" \relative do' { \override Staff.TimeSignature #'stencil = ##f \cadenzaOn \clef tenor sib1^\markup{\teeny I}^\markup{\teeny V} si^\markup{\raise #1.6 \teeny IV}^\markup{\teeny VII} do^\markup{\raise #1.6 \teeny III}^\markup{\raise #1.6 \teeny VI} dod^\markup{\raise #1.6 \teeny II}^\markup{\raise #1.6 \teeny V} re^\markup{\raise #1.6 \teeny I}^\markup{\raise #1.6 \teeny IV}^\markup{\raise #1.6 \teeny VII} mib^\markup{\raise #3.2 \teeny III}^\markup{\raise #3.2 \teeny VI} mi^\markup{\raise #3.2 \teeny II}^\markup{\raise #3.2 \teeny V}^\markup{\raise #3.2 \teeny VII} fa^\markup{\raise #3.2 \teeny I}^\markup{\raise #3.2 \teeny IV}^\markup{\raise #3.2 \teeny VI} fad^\markup{\raise #4.8 \teeny III}^\markup{\raise #4.8 \teeny V} sol^\markup{\raise #4.8 \teeny II}^\markup{\raise #4.8 \teeny IV} lab^\markup{\raise #4.8 \teeny I}^\markup{\raise #4.8 \teeny III} la^\markup{\raise #6.4 \teeny II} sib^\markup{\raise #6.4 \teeny I} } \header { tagline = ##f} \paper { indent = 0 line-width = #120 }$

Remarque : Afin d’obvier aux défaillances et combler les lacunes des instruments de cuivre depour-

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