Page:Gautier - Les musiques bizarres à l’Exposition de 1900, volume 1, 1900.pdf/23

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LA MUSIQUE CHINOISE

${ \language "italiano" \new PianoStaff << \omit Score.BarNumber \override Score.Rest.style = #'classical \set Score.tempoHideNote = ##t \new Staff = "right" << \key do \major \numericTimeSignature \time 2/4 \tempo "" 4=96 \new Voice { \relative do'' { %\oneVoice la8.[ la16 sol8. fa16] | < sol mi do >2^"ten." | fa4( re'8. do16 | la4) < sol mi >8^\> si\rest\! | < re fa, >4( re8. do16 | la4) la | \break < re fa, >2^"ten." | fa16( << sol8. {s16^\< s8\!} >> la,8 [) r16 la]( | do8. re16) la8 la | \voiceOne la8.( do16 re8. re16 | re4 re | \break \oneVoice fa16 << sol8. {s16^\< s8\!} >> la,8)[ r16 la] | sol'8. la,16( sol'8. fa16 | re4) fa8. sol16 | fa4( re) do8.[( re16 do8. la16] | \break \voiceOne < sol mi >2) | sol8.( la16 do8 la | sol8. la16 sol8. fa16) | re'2^"ten." | fa8.[ sol16 sol8. fa16] | \break \oneVoice < re la >2 | < do fa, >8. < re fa, >16 < do fa, >8 < la fa > | < sol mi >4 < fa mi >8. < sol mi>16 | < fa la >8 r < fa la >4\fermata | \bar "||" s4 }% relative }% Voice \new Voice { \relative do'' { \voiceTwo s2 | s2 | s2 | s2 | s2 | s4 sol | s2 | s2 | s2 | la2( | la2) | s2 | s2 | s2 | s2 | s2 | s2 | mi | mi4. s16 fa~ | fa2 | la4 la | s2 | s2 | s2 | s2 | }% relative }% Voice >>% right \new Dynamics { s2 | s8\< s\! s4 | s2 | s2 | s8 s\< s4 | s2\! | s2\sf | s8\f s\sf s16\> s32\! s16. s16\p| s2 | s2 | s2\f | s2 | s2 | s2 | s2 | s2 | s2 | s8. s16\< s8 s8\! | s16 s8.\> s8 s8\! | s2\sf | s2\f | s16\< s8.\! s4 | \override DynamicTextSpanner.style = #'none s2\dim | s2\p s4 s16\< s8.\! } \new Staff = "left" << \clef bass \new Voice { \relative do { \voiceOne < do fa, >8[ r < do fa, >] r | < do do, >2 | s2 | s2 | s2 | s2 | s2 | re4\rest do~ | do do | re4\rest do~ | do do | re4\rest do~ | do do | re4\rest do~ | do do | re4\rest do | < do do, >2^"ten." | sol'8. la16 do8 la | sol8. la16 sol8. fa16 | s2 | s2 | s2 | s2 | s2 | s2 | s4 } % relative } % Voice \new Voice { \relative do { \voiceTwo \slurUp s2 | s2 | fa4( re'8. do16 | la4) < do do, >8 re,\rest | < la' fa >4( re8. do16 | la4) < la mi > | < la re, >2 | fa, ~ | fa | fa~ | fa | fa~ | fa | fa~ | fa | fa | s | do' | do4. s16 re~ | < re re' >2 | < re la' re >4 < re la' re > | < re la' re >2^"ten." | < do la' >8. < do la' >16 < do la' >8 < do la' > | < do do' >4 < do do' >8 < do do' > | < fa do' >8 re\rest < la' do >4^"ten." | } % relative } % Voice >> % Staff >> % PianoStaff }$