Page:Gautier - Les musiques bizarres à l’Exposition de 1900, volume 1, 1900.pdf/28

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LA MUSIQUE CHINOISE

${ { \language "italiano" \omit Score.BarNumber \override Score.Rest.style = #'classical \override Score.TupletBracket.bracket-visibility = ##f \new PianoStaff << \set PianoStaff.connectArpeggios = ##t \new Staff { \key fa \major \time 4/4 \numericTimeSignature << \new Voice { \relative do'' { \voiceOne sol4.( la8 sol2) | < fa la, >4 < fa la, >2. | sol4.( la8 do4. re8 | do4. la8 la2) | \oneVoice re4.(-\markup { \italic { "poco meno" } } do8 la4 do | \break re^\markup { \italic { "lento" } } < do mi, > << < do mi, >2) { s8^\< s4\! s8} >> | < re re' >4.( < do do' >8 < la la' >8. < sol sol' >16 < la la' >8. < do do' >16 | < re re'>4 < la do'>\arpeggio << < la do'>2\arpeggio) { s8^\< s4\! s8} >> | la4.( fa8 la4 do) | \break < fa, re' >2.\arpeggio < re' re' >4 | \tupletUp \tuplet 3/2 { < do do' > < la la' > < do do' > } < re re' >4. < do do' >8 | < do do' >1-^ | \voiceOne << fa4. { s16^\< s8\! s8} >> fa8 re4. fa8 | \break re1 | do2( la) | \tieDown < la, re fa >4-. < do~ mi~ sol~ >-. << < do mi sol >2 { s8^\< s4\! s8} >> | << { \voiceOne \slurDown mi2( fa4.) } \\ { \voiceOne \slurDown sib2( la4.) } \\ { \voiceOne \slurUp re2-\markup { \italic { rall. } }( do4.) } >> < do fa la >8 | < do fa la >1\fermata | \break } %relative do } %Voice \new Voice { \relative do' { \voiceTwo do1 | s1 | do2 do4( mi | fa1) | s1 | \repeat unfold 7 s1 | \once \stemUp \acciaccatura fa8 fa1 | \break \once \stemUp \acciaccatura fa8 fa1 | fa | \repeat unfold 3 s1 | } %relative do } %Voice >> } %Staff \new Dynamics { s1 | s4\p s4\< s\! s | s1 | s1 | s1\f | s2 s\sf | s1 | s1 | s4.\p s8\< s2 | s8\< s\! s2. | s2-\markup { \italic { "sempre più" } } s\f | s2 s \sf | s8\f s2\< s4.\! | s2\ff s\> | s2\dim s\! | s1 | s\p | s\pp | } \new Staff { \clef "bass" \key fa \major \numericTimeSignature << \new Voice { \relative do { < do mi >1 | < re fa >4 < re fa >2. | \voiceOne mi2( fa4 sol | la4. fa8 fa2) | \oneVoice re'4.( do8 la4 do | re < do mi, la, >\arpeggio < do mi, la, >2\arpeggio) | re4. do8 la8. sol16 la8. do16 | re4 < do mi, la, >\arpeggio < do mi, la, >2\arpeggio | \voiceTwo \once \slurUp < la do, fa, >4.\arpeggio( fa8 la4 do) | < re la, re, >2.\arpeggio re4 | \tupletUp \tuplet 3/2 { do la do } re4. do8 | do1 | \voiceOne la2. la4 | < sib re, sib >1\arpeggio | la2( do | re,4 do8 sib) la2 | \tieDown sol( fa~ | fa1) | } %relative do } %Voice \new Voice { \relative do { \voiceTwo s1 | s | do4( sib la sol | fa1) | s | \repeat unfold 6 s | re'2\rest < la do, fa, >\arpeggio re do | s1 | do | s1 | s1 | s1 | } %relative do } %Voice >> } %Staff >> } { \omit Score.BarNumber \override Score.Rest.style = #'classical << \set Score.tempoHideNote = ##f \new Staff { \key do \major \tempo "Larghetto" 4 = 76 \time 3/4 << \new Voice { \relative do'' { \oneVoice \tupletUp fa4 fa,8( fa') \tuplet 3/2 { fa,16([ fa' fa,)] } fa'8 | do4 \tuplet 3/2 { fa8 sol la, } do8. do16 | \bar "||" } %relative do } %Voice >> } %Staff \new Dynamics { \time 3/4 s2.-\markup { \dynamic p \italic { "dolce" } } | s } \new Staff { \clef "bass" \key do \major \tempo "Larghetto" 4 = 76 \time 3/4 << \new Voice { \relative do { R2. | R2. | } %relative do } %Voice >> } %Staff >> } }$