Page:Vivien - Une femme m’apparut, 1904.djvu/94

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VII

LA MORT D’YSEULT

wagner.

$\version "2.20.0" \header { title = "VII" subtitle = "LA MORT D’YSEULT" composer = "WAGNER." } \layout { indent = #10 %ragged-last = ##ttt } { \new PianoStaff = "piano" \with { instrumentName = ""} << \new Staff = "upper" { \relative c' {\key b \major \autoBeamOff \set Staff.midiInstrument = #"piano" \time 8/8 \override Staff.Rest.style = #'classical \override TupletBracket.bracket-visibility = ##f \omit Score.BarNumber % Ligne 1 << \relative c'{ \stemDown <cis' cis'(>8[\pp _\markup { \right-align \italic dolce } <ais ais'>8. <gis! gis'!>16] <gis cis e gis>8[ <fis fis')>] \tupletUp \tuplet 3/2 {<fisis fisis'> <gis gis'> <ais ais'>} \break % Ligne 2 \override NoteColumn.force-hshift = #-1.7 <dis fis>4. \once \override Rest.staff-position = #-2 r8 \once \override NoteColumn.force-hshift = #1.6 <cis e>4 \tupletDown \tuplet 3/2 {fisis,8_( [gis ais]} \break % Ligne 3 \stemDown cis4 b ais4. gis8 | \override NoteColumn.force-hshift = #.7 gis4 fis) \override TupletBracket.bracket-visibility = ##f \tupletUp \tuplet 3/2 {<fisis fisis'> <gis gis'> <ais ais'>} \break % Ligne 4 <cis cis'>2 4_\markup { \right-align \italic morendo } r8 <cis cis'> | gis'2.\< a4\! | \break % Ligne 5 ais b2\<_( 4\!) \break| \omit Staff.TimeSignature \time 9/8 s1*9/8 | } \\ % Ligne 1 \relative c'{ \stemUp <dis' fis>4. \once \override Rest.staff-position = #5 r8 s2 | % Ligne 2 <cis cis'>8[^( <ais ais' gis>8. <gis gis'>16] <gis gis'>8[ <fis fis'^(>]) fis'4) % Ligne 3 << {\voiceOne <dis fis(>1 \override NoteColumn.force-hshift = #.7 fis2)} \new Voice {\voiceTwo s1 <cis e>1} >> % Ligne 4 \override NoteColumn.force-hshift = #1.8 <dis fis>2. s4 \override NoteColumn.force-hshift = #-1.4 <dis dis'>1 % Ligne 5 <e g cis>1 % Ligne 6 <fis b dis fis>1*9/8\arpeggio\pp _\markup { \halign #-2 \italic rallent } | <dis b' dis>\arpeggio | <dis fis b dis>\arpeggio\ppp| } >> \bar "||" } } \new Staff = "lower" { \override TupletBracket.bracket-visibility = ##t \relative c {\clef "bass" \key b \major \set Staff.midiInstrument = #"piano" % Ligne 1 <b, b'>16[( dis' fis b] fis[ b dis)] r << { \voiceOne \stemDown b,[( e fis b-.] ais[ cis e fis,)] } \new Voice {\voiceTwo \stemUp s8 s16 b[ ais8]} >> \oneVoice | % Ligne 2 b,16([ dis fis b] fis[ b dis)] r bis,([ e fis b] ais[ cis e fis,)] % Ligne 3 \stemDown <b,, b'>8[ dis' fis b] fis[ b <dis fis>] r | b,[ e fis b] \override TupletBracket.bracket-visibility = ##f \tuplet 3/2 {ais4 <cis e> fis,} % Ligne 4 \stemUp b,(-. \stemDown fis'-. dis'-. fis)-. | \stemUp <b,,, b'>8 \stemDown <f'' b>16[ dis'] <f, b>[ dis' <f, b> dis' <f, b> dis'] \repeat tremolo 8 {<f, b>32*3/4 dis'} | % Ligne 5 \stemUp <b,, b'>8 \stemDown <e' g>16[ e'] <e, g>[ e' <e, g> e' <e, g> e'] \repeat tremolo 8 {<e, g b>32*3/4 e'} | % Ligne 6 \omit Staff.TimeSignature \stemUp b,,16[\< dis fis! b dis fis!] \clef treble b16[ dis fis b]\! \stemDown dis[ b fis dis] \clef bass b16[\> fis dis b]\! | 1*9/8\arpeggio | \arpeggio } } >> }$