Ruskin et la religion de la beauté/Notes et références
NOTES ET RÉFÉRENCES
Afin de ne pas hacher le texte de renvois multipliés, nous avons groupé ici toutes les notes et références afférentes à chacune des pages de ce volume. On trouvera donc, ci-après, d’abord le numéro de la page du présent volume contenant une citation ou une opinion de Ruskin, ensuite l’indication de la source bibliographique où la citation ou l’opinion émise est puisée. Cette source bibliographique est indiquée : par le titre de l’ouvrage, par le chiffre de son volume, de son chapitre et, s’il y a lieu, de son paragraphe.
Pages 2 et 3. Mornings in Florence, V, The Strait Gate. — P. 5. Cook. Studies in Ruskin, some industrial experiments. — P. 8. Fred. Harrison. Ruskin as master of prose. Nineteenth Century, 1895. — Milsand. L’Esthétique anglaise et M. John Ruskin.
Praeterita, vol. I et II, passim. — Collingwood. The Life and Work of John Ruskin, I, passim. — Pages 22 et 23. Praeterita,
I, ch. vi. — PP. 24 et 25. Modern Painters, III, ch. XVII,
§§ 12, 13, 14, 15, 16, 17, 18, 19, et Praeterita, I, ch. XII. — P. 29.
Praeterita, II, ch. iv. — P. 30. Sesame and Lilies, ch. i, § 35.
— PP. 31 et 32. Praeterita, I, ch. ii. — P. 33. Collingwood,
II, ch. viii.
Page 36. Cook. Studies in Ruskin, ch. v. — P. 37. Acland.
The Oxford Museum, — P. 39. Fors Clavigera, I, lettre v. —
P. 40. Collingwood, II, ch. iv. — P. 42. Cook, ch. vi. — P. 43.
The seven Lamps of Architecture, ch. v, § 21. — P. 44. General statement explaining the Nature and purposes of St George’s Guild. — PP. 46 et 47. Fors Clavigera, IV, lettre xliv. —
PP. 50 et 51. Acland. The Oxford Museum, — PP. 54 et 55.
Cook, ch. iv. Mr. Ruskin’s May Queens. — P. 55. Sesame and Lilies, II, § 94.
Page 59. Val d’Amo, ch. viii, § 197. — P. 60. Arrows, II,
passim, — P. 61. Collingwood, II, ch. ix. — P. 63. Sesame
and Lilies, ch. iii, §§ 120 et 121. — P. 64. Collingwood, II,
ch. i. — P. 65. Collingwood, II, ch. ii. — PP. 66, 67 et 68.
Fors Clavigera, V, lettre xlix. — PP. 68 et 69. Praeterita, I,
ch. XII. — P. 71. The Queen of the Air, ch. iii, § 135. — PP. 72
et 73. Collingwood, passim. — P. 74. Collingwood, II, ch. vi. — P. 75. The seven Lamps of Architecture, ch. iv, § 19, et
Cook, ch. VI. — P. 76. Collingwood, I, ch. viii. — PP. 80, 81
et 82. Mme Ritchie. Records of Ruskin, § i. — PP. 82 et 83.
Deucalion, ch. vii. The iris of the Earth. — P. 85. Mme Ritchie.
Records.
Page 94. Fors Clavigera, I, lettre ii, et Time and Tide,
lettre vii. — P. 95. The Crown of Wild Olive, introduction. — P. 96. Fors Clavigera. — PP. 97 et 98. The Relation between
Michael Angelo and Tintoret, §§ 218, 219 et 220. — PP. 100
et 101. The seven Lamps of Architecture, ch. ii, § 19. —
PP. 102 et 103. Aratra Pentelici, ch. iii, § 77. — P. 104. The Harbours of England, introduction. — PP. 105 et 106. The Queen of the Air, ch. ii, SS 81 et 82. — PP. 107, 108 et 109. The seven Lamps, ch. iv, § 11.
Pages 113 et 114. Modern Painters, I. Préface à la seconde
édition. — PP. 115 et 116. Modern Painters, V, part. IX, ch. ix.
PP. 117 et 118. The Crown of Wild Olive, ch. ii, § 59. — PP. 119, 120 et 121. Sésame and Lilies, I. §§ 41 et 42. — PP. 121 et 122. Ibid., II. § 69. — P. 124. Val d’Arno, lecture I. — P. 126. Sésame and Lilies, ch. i, § 36. — PP. 128 et 129. The seven Lamps, ch. vi. — PP. 130 et 131. The Queen of Ihe Air, § 98.
Page 135. Modern Painters, part. VII, ch. ii et iii, et part. IV, ch. ix, § 12. — PP. 135, 136 et 137. The Queen of the Air, préface. — PP. 139 et 140. Modern Painters, part. VI, ch. x, §§ 23 et 24. — PP. 141 et 142. The Relation between Michael Angelo and Tintoret, fin. — PP. 142 et 143. Fors Clavigera, vol. I, lettre viii. - P. 144. The Crown of Wild Olive, Traffic, § 75. — PP. 146 et 147. Deucalion, § 46. — PP. 148 et 149. Sésame and Lilies, §§ 94 et 95. — PP. 152 et 153. Letter to young Girls, extrait de Fors Clavigera, lettre lxv.
Page 159. Fors Clavigera, vol. VI, lettre lxxii.
Pages 170 et 171. Arrows, II. Épilogue.
Page 174. Unto this Last. Ad Valorem. — P. 174. Modern Painters, part. IV, ch. xvii, § 43. — P. 175. Munera pulveris, ch. i, § 16. — PP. 175 et 176. Modern Painters, part. V, ch. iii, § 23. — P. 176. Frondes Agrestes, § 43, et The Queen of the Air, ch. ii, § 60. — P. 177. Ibid., § 68. — PP. 177, 178, 179. Eagle’s Nest, §§ 107, 109, 110. — PP. 179, 180. Modern Painters, part. V, ch. xx, § 49. — PP. 180. Ibid., part. III, ch. iv, § 9. — P. 181. Ibid., part. V, ch. xx, § 9. — P. 182. Fors Clavigera, II, lettre xxi. - P. 184. Stones of Venice, 111, ch. ii, § 8,
Page 185. Stones of Venice, III, ch. ii, § 11. — P. 186. Modern Painters, part. IV, ch. xvii, § 42, et Elements of Drawing, III, § 181. — P. 187. Sésame and Lilies, ch. i, § 28. — PP. 187, 188 et 189. Modern Painters, part. III, ch. ii, § 5 et 6. — P. 190. Ibid., § 8. — P. 191. Collingwood. The Art-teaching of John Ruskin, ch. vii, § 53, et Modern Painters, part. III, ch. xii, s 5. — P. 192. Modern Painters, part. IV, ch. xvii, § 40.
Page 193. Ibid. — PP. 193 et 194. Cook, Studies in Ruskin, ch. II. — P. 194. Modern Painters, part. III, ch. v, § 2, et Cook, Studies in Ruskin, ch. i. — P. 195. Praeterita, I, ch. xii. — PP. 196 et 197. Modern Painters, part. V, ch. xix, § 9 — P. 197. Ibid., § 11. — PP. 198 et 199. Praeterita, II, ch. xii, et Lectures on Art, I, § 24.
Page 200. Fors Clavigera, VI, lettre lxvi. — PP. 200 et 201, Ethics of the Dust, § 107. — PP. 201 et 202. Love’s Meinie, I, § 29. — PP. 202 et 203. Cook. Studies in Ruskin, pp. 278 et 279. — P. 203. Ethics of the Dust, § 108. — PP. 203 et 204. Ethics of the Dust, § 109. — PP. 204 et 205. Lectures on Art, II, § 40. — PP. 205, 206 et 207. The Queen of the Air, II, §§ 62, 60, 88 et 89. — P. 208. Lectures on Art, II, §§ 38 et 39. — P. 210. Sesame and Lilies, ch. ii, fin. — P. 211. Collingwoood, The Art Teaching of Ruskin, § 167.
Page 213. Modern Painters, part. II, section iii, ch. i, § 1. — PP. 213 et 214. St Mark’s Rest, préface. — P. 214. Modern Painters, part. IV, ch. xvii, § 38. — P. 214. Modern Painters, part. III, ch ix, § 10, et Ariadne florentina, § 19, et Lectures on Art, § 63. — P. 215. Modern Painters, part. III, section i, ch. iv, § 12, et Stones of Venice, III, § 26. — P. 216. Laws of Fesole, ch. i, § 6. — PP. 216 et 217. The Art of England, lecture IV. — P. 218. Elements of Drawing, II, § 148. — P. 219. Praeterita, I, ch. xii, et Seven Lamps of Architecture, ch. iv, § 43. — P. 221. Modern Painters, part. III, ch. iii, § 13. — P. 221 et 222. Modern Painters, part. II, section vi, ch. iii, § 21, et ibid., part. III, ch. xiv, § 12. — P. 222. Ibid., part. III, section ii, ch. iv, § 22. Lectures on Art, II, § 31, et Ariadne florentina, § 145, et Modern Painters, part. III, ch. xiv, § 14. — P. 223. Modern Painters, part. III, section ii, ch. v, § 7. Lectures on Art, IV, § 103, et Love’s Meinie, II, § 78. — P. 224. Modern Painters, part. III, ch. i, § 11. — P. 226. The Art of England, lecture IV. — P. 229. Modern Painters, part. III, ch. xiv, § 12, et Art of England, lecture III. — P. 230. Modern Painters, part. III, ch. xiv, §§ 12, 13, 16 et 2. — P. 231. Aratra Pentelici, § 123.
Page 231. Eagle’s Nest, passim. — P. 232. Eagle’s Nest, § 125. — P. 234. Eagle’s Nest, préface ; Cook, p. 278, et Ariadne florentina, § 163. — P. 235. Elements of Drawing , III, § 198. — P. 237. The seven Lamps of Architecture, ch. iii, § 2. Lectures on Art, II, §§ 62 et 64. — 237 et 238. Val d’Arno, § 169. — P. 238. Stones of Venice, III ch. i, § 11, et Lectures on Architecture and Painting, lecture III. — P. 240. Stones of Venice, III, ch. i, §§ 34, 41 et 42. — P. 241. Stones of Venice, III, ch. i, § 24, et Seven Lamps, ch. iv, § 24. — P. 242. Seven Lamps, ch. iv, § 10, et Stones of Venice, III, ch. i, § 13. — PP. 242 et 243. Modern Painters, part. III, ch. v, § 5. — P. 243. Lectures on Art, II, §§ 56 et 57, et Modern Painters, part. III, ch. xiv, § 31. — P. 244. Stones of Venice, III, ch. i, § 8. — PP. 244 et 245. Elements of Drawing, § 221. — P. 246. Cook, p. 288, et Ariadne florentina, § 235, et Modern Painters, part. II, section iv, ch. iv, § 13. — PP. 246 et 247. Modern Painters, part. III, ch. xiii, § 13. — P. 247. Lectures on Art, v, §§ 141 et 145. — P. 248. Ariadne florentina, § 116. — PP. 249 et 250, Elements of Drawing, II, § 104.
Page 250. Ariadne florentina, §§ 18, 19, 20. — P. 252. Laws of Fesole, ch. x, § 4, ch. viii, § 9, et Lectures on Art, VI, § 171. — P. 253. Lectures on Art, VII, § 175, et Elements of Drawing, III, §§ 236 et 184. — P. 254. Elements of Drawing, §§ 171 et 175. — PP. 254 et 255. Stones of Venice, III, ch. i, § 7. — PP. 255 et 256. Elements of Drawing, § 239. — P. 256. Laws of Fesole, ch. viii, § 24, et Elements of Drawing, § 157. — P. 257, Elements of Drawing, §§ 158 avec note, et 166 (2). — PP. 257 et 258. Ibid., §§ 167 et 163. — PP. 258 et 259. Ibid., § 171. — P. 259. Ibid., §§ 172 (a) et 175 (c). — PP. 259 et 260. Modern Painters, part. II, ch. iii, § 21. — P. 260. Ibid., part. III, ch. v, § 18, Arrows, I, et Lectures on Architecture and Painting, IV. — P. 260. Lectures on Art, § 184- ~ P. 261. Elements of Drawing, § 187. — P. 262. Laws of Fesole, §§ 7, 8, 9, 10, 11, et 12. — PP. 262 et 263. Stones of Venice, II, ch. vi, §§ 23, 24 et 25.
Page 264. Lectures on Art, §§ 98 et 99, et Stones of Venice, III, conclusion, § 27. — P. 265. Cook. Studies in Ruskin, p. 207, et Aratra Pentelici, § 6. — P. 268. Ibid., § 178. — PP. 268 et 269. Ariadne florentina, §§ 178 et 179. — P. 269. Aratra Pentelici, §§ 147 et 148. Stones of Venice, III, conclusion, § 21. — PP. 269 et 270. Lectures on Art, § 31. — P. 270. Ibid., § 71, et Joy for ever, § 46. — P. 271. Aratra Pentelici, § 6. — PP. 271 et 272. Stones of Venice, II, ch. vi, §§ 20 et 21. — P. 273. Joy for ever, addenda, note 3, et Val d’Arno, § 85. — P. 275. Stones of Venice, ch. vi, § 14. — P. 276. Laws of Fesole, ch. vii, § 7. — Modern Painters, part. III, ch. v, § 9. Stones of Venice, II, ch. vi, § 28, et Seven Lamps of Architecture, V, § 16, et IV, s 25. — P. 278. Elements of Drawing, § 240.
Page 279. Ariadne florentina, § 241. — P. 280. Eagle’s Nest. — P. 281. Seven Lamps of Architecture, ch. vi, § 20. Lectures on Art, § 123. Ariadne florentina, § 242. — P. 282. Love’s Meinie, §§ 38, 39 et 40. The Crown of Wild Olive, § 143. — P. 283. Unto this Last, the veins of wealth.
Pages 286, 287 et 288. The Crovm of Wild Olive, introduction. — P. 290. Unto this last, the veins of wealth, et The Crown of Wild Olive, § 24. — PP. 291 et 292. Unto this last, ad valorem. — P. 294. The Crown of Wild Olive, §§ 83 et 84. Lectures on Art, § 124, et Cook. Studies in Ruskin, p. 25. — P. 295. Time and Tide, § 90, et The Queen of the Air. — P. 296. Unto this last, the veins of wealth. The Queen of the Air, § 121. — P. 297. Munera Pulveris, §§ 5 et 6, et Unto this last, ad valorem. — P. 298. Unto this last, the veins of Wealth. — P. 299. The Crown of Wild Olive, § 31. — PP. 299 et 300. Fors Clavigera, V, lettre lx, et The Crown of Wild Olive, § 80. — PP. 301 et 302. Ibid., § 34. — PP. 302 et 303. Joy for ever, § 117. — PP. 304, 305 et 306. Unto this, last, the roots of honour.
Page 308. Lectures on Art, § 116, et Joy for ever, § 54. — P. 309. Fors, VII, lettre lxxxii, notes, et II, lettre xxiii ; Time and Tide, § 95 et § 63, et Arrows, II. — PP. 311, 312 et 313. Joy for ever, addenda, note 5, et Ibid., §§ 48, 49, 50 et 51, et Crown of Wild Olive, §§ 77 et 147. — P. 314. Fors, V, lettre LX. — PP. 314 et 315. Joy for ever, §§ 50 et 51. — P. 315. Fors, V, lettre LX. — P. 316. Ibid. — PP. 316, 317 et 318. The Queen of The Air, §§ 132, 133 et 134. — P. 318. Ibid., § 128. — PP. 319 et 320. Ibid., §§ 149, 150 et 151.
Pages 322 et 323. Modern Painters, part. IV, ch. XVII, § 31. — PP. 323 et 324. Joy for ever, §§ 128 et 155, et Munera Pulveris, § 106. — P. 324. Time and Tide, § 96. — P. 325. Modern Painters, lectures on Art, § 65, et Joy for ever, §§ 78 et 79. — P. 326. Ibid., § 35. — P. 327. Lectures on Art, § 125. — P. 328. Joy for ever, § 147 fin. Praeterita, I, et Time and Tide, §§ 170 et 171. — P. 329. Lectures on Art, § 91, et The Crown of Wild Olive, § 137. — P. 330. Munera Pulveris, § 21. — P. 333. The Crown of Wild Olive, § 152 et suiv. — P. 334. Praeterita, I, ch. X, et Fors, V, lettre LVIII et lettre LV, notes. — P. 335. Ethics of the Dust, § 12. Fors, V, lettre LVIII. Val d’Arno, ch. V, et Fors, I, lettre II. — P. 336. The Crown of Wild Olive, § 56, Joy for ever, § 105. — P. 337. Stones of Venice, III, ch. I, § 44, et Fors, V, lettre LVIII. — P. 338. Time and Tide, § 125, et Unto this last, ad valorem, fin. — P. 339. Fors, VIII, lettre XC, et Stones of Venice, III, ch. III, § 7. — P. 340. Time and Tide, § 126. Joy for ever, § 65, et Lectures on Art, § 123. — P. 341. Sesame and Lilies, II, §§ 64 et 70 (II). Fors, IV, lettre XXXVIII, notes, et Lectures on Art, § 101. — PP. 341 et 342. Sesame, II, § 72, Fors, IV, lettre XXXVIII, notes. Arrows, II, et The Crown of Wild Olive, § 129. — P. 343. Lectures on Art, § 57, Ariadne florentina, § 29, Letter to young girls, et Sesame, II, § 71. — P. 344. Lectures on Art, § 38. The Queen of the Air, I, § 50 ; Praeterita, I, ch. VI, et The Queen of the Air, II, § 89. — PP. 345 et 346, The Crown of Wild Olive, introduction. — P. 348. Laws of Fesole, ch. VIII, § 16.